It is Time! Again?

By Hannah Lee.

I ironically cried in The Lion King 3D, three times. The first was during the ‘Circle of Life’ opening when I realized I’d actually paid to have my cherished childhood experience ruined. The second time was when Mufassa died, and finally, when the credits rolled and I was reminded that I’d just paid to have my cherished childhood experience ruined, I cried again.

It may sound a little overdramatic, but considering Walt Disney home videos taught me how to use the remote control from the tender age of four, watching an old favourite 17 years later in 3D did something to taint that nostalgia. I found the visual conversion distracting, the catchy musical numbers I knew all the words to suddenly looked and felt like cheap stunts and worst of all, it crushed any faith I had in modern movie magic meeting the standards of days gone by.

When I left the cinema I snapped my 3D glasses (fuck… that cost me a dollar) wondering how anyone could have let such a travesty take over our screens. Why was it necessary to convert a perfectly good 2D film into 3D? And who in their right mind, with any respect for the original film, would buy into this molestation of a classic?

Read the rest of the review here:


Misreadings in the Garden District


Sundays in spring are usually pretty relaxed. Back in college, I’d wake up late, check my e-mail, maybe gloss over the newspaper. I’d go to the dining hall with my roommate, Leo, and the two of us would have a light brunch—pancakes, fresh fruit, chocolate milk, and occasionally a bagel with cream cheese or lox. Neither of us is very religious, but Sunday is a day for rest. After six days of studies, papers, seminars (and an occasional Thursday night party) Sunday is a day for laziness; for late mornings, late meals and little work.

One Sunday, junior year, I got myself into trouble. On my way back to the kitchen for a second glass of chocolate milk (I had gone for that bagel, and bagels are thirsty work) I ran into a friend. Julie and I had met through Mock Trial and the Human Values Forum, and we were taking a class together on the philosophy of law. We weren’t in the same social circles—she has soft green eyes that turn crystal blue in the right light—but she said hello. I asked how her weekend had been.

Good, she replied. She was planning a short getaway to New Orleans next weekend. It was a trip sponsored by HVF, available to all of its members. She asked me if I was interested. I wasn’t sure. I had known about the trip but never seriously considered it. New Orleans had no appeal to me. “You should come,” she said. “It will be fun.”

It was the polite thing to say, and I didn’t put much weight into it. Instead I pivoted to our philosophy class, and we started talking about Andrea Yates and mens rea. I enjoyed spending time with Julie. She has a particular smile, and I love the way she thinks. We don’t agree much on anything—she’s a utilitarian who likes jazz; I like Kant and prefer the piano—but we seemed interested in each other’s ideas, and I always came away from our conversations with something to think about. Still, we couldn’t stand talking in the dining hall forever, and so I got my chocolate milk and went back to Leo.

Alex sent me an email that night, following up on Andrea Yates. But she ended the email on another note, one sentence, simple and matter-of-fact. “You should come to New Orleans with me.”

I called her. She had been in touch with the HVF group. Only four people had signed up for the trip, she didn’t know the other three, and now she was re-thinking her decision to go. Unless I wanted to come along? I did. I could use the break. New Orleans might be interesting, and spending three days with Julie seemed like fun no matter where we spent them.

A few phone calls later, the trip was set. I met her at the Dinky next Friday morning, and with one backpack and a carry-on between us, we took an airplane down to Louisiana, arguing cheerfully about ethics and law.

We walked up and down Bourbon Street for the next three days, finding hole-in-the-wall bars, orange gardens, large, overgrown trees whose roots cracked the cement sidewalks we walked on. Bourbon Street led into the Garden District, a small neighborhood of mansions dating back to the old French South. They seemed unoccupied. The streets were quiet. It was a lazy spring weekend, 75 and sunny, and the shade under the trees made for perfect strolling.

Julie liked the architecture; I liked that she liked the architecture. At night we’d find jazz clubs and take boat rides down the Mississippi. We stayed up late, talking about other classes, our closest friends, random memories. I asked what her favorite color was, and, with a smile, she said that that was a stupid question. Instead, she told me about her pet, a cat named Walter. I told her that that was a stupid name for a cat; she laughed and blamed it on her dad. Our tastes were day and night apart, but we thought in the same way, and, from two different worlds, I thought we spoke the same language.

We found an old record store on our way to dinner on our last night out. Julie went in and started looking around. I asked her if she was searching for anything in particular. She wanted to see if they had any records by Herbie Hancock, one of her favorite jazz players. We couldn’t find him, but at dinner, jambalaya and two glasses of merlot to a local band, I scribbled herbie hancock on a napkin underneath the table.

I spotted a cigar shop on the way back to the hotel. Leo loves cigars, and I thought he deserved a souvenir. I stumbled around the shop, fingering the boxes and fumbling with the stogies. “Do you know what you’re doing?” Julie asked, amused.

“Sure,” I answered. What was there to know about cigars? You look at the curve on one end and the price tag at the other. She leaned forward and took the cigar that I was holding. “Here,” she held it to her face and inhaled, slowly moving it underneath her nose. She handed it back to me, smiling.

It was that smile. It has nothing to do with her lips—it comes from her eyes. It takes you in and makes you smile in return. You can’t help it, it makes you an accomplice, gives you sure footing in a world you know you don’t belong in.

We landed in Princeton Monday morning, and as we started heading off in opposite directions, I asked Julie if she wanted to have dinner that night. “You mean lunch, after class?” she asked, one eyebrow raised.

“No,” I said, “dinner.”

She was busy.

“Maybe some other time,” I offered.

She shrugged, walking away more quickly now. We were back. I should have stuck to Andrea Yates.


By Nathalie Gonzalez

© Nathalie Gonzalez

This is a sketch I did over the summer of my dad at a BBQ.  I later went back in, cut out some of the background and added in a stylized version of fire escapes from worm eye’s view.  Obviously I was missing my hometown (slash homehood), the Bronx.  Summers just aren’t the same anywhere else.  Sometimes I have a little soundtrack going in my sketchbooks and this particular sketch’s song is El Mondongo by Los Corraleros De MajagualListen to it here.  I know it doesn’t make much sense to think of mondongo in the summer, since its hot– but when you think of home, memories don’t have to make sequential or seasonal sense.  Time is irrelevant.  To me its all about the people, smells, music and of course, color.  Now I want me some mondongo!  “Mondongo!  Yo Quiero el mondongo!”  Yep, sounds like I’m totally ready for winter!

Thank you so much for your submission, Nathalie!

You can see more of her beautiful artwork here: